Projects

An interactive exhibition of eleven print-based artists who take over a gallery space and put art on the wall and on the floor so people can come and look and touch it.

Qualia Dublin is an artist collective comprised of Third Year BA Honor Degree Fine Art students. Through a common interest in artistic tradition and a desire to explore the possibilities of contemporary art, the collective formed in June, 2014

Centre is concerned with the idea of the centre, be it a geometrical point, origin, public space, or the self-centred “me”.

Beneath That Darkness There Was Another is a exhibition of painting, sculpture and laser-engraved panels. The exhibition continues the artist's ongoing development of a personal abstract vocabulary while introducing new media and materials.

Panorama is a group exhibition which brings together the paintings of thirteen women artists who are affiliated with Dublin. The exhibition offers an acknowledgment of the variety and wealth of painting being produced by these artists.

Ormston House is delighted to welcome Pallas Projects to Limerick for the second edition of Periodical Review #4 – a unique, yearly survey of Irish contemporary art practices, that looks at commercial gallery shows, museum exhibitions, artist-led & independent projects and curatorial practices.

Showcasing work by both artists made during their time in NCAD, John and Aisling share a mutual interest in the practice of painting and its place in the context of contemporary visual art.

Periodical Review (2011–ongoing) is a long-running curatorial project which sets out to consider, revisit and review current movements within contemporary art practices from around Ireland.

Atom Tick is a presentation for you, the audience, in which we, the presenters, make you want not what you think you want, but what we think we can make you think we want you to want. It’s not about what you want, it’s about what we want you to want.

In this ongoing ‘Dark Inventory’ series the artist engages with politicizing the space between what is visible and what is absent. He emphasises this critical moment in the history of Modernism in Europe with a corresponding reductive process on paper.

Through my practice I argue for a return to the senses by engaging with the landscape, through the sort of ‘haptic’ experience film can provide. I have chosen Coolorta, a small alternative community in the West of Ireland for the location of this research.

Anne Maree Barry's film Missing Green is a poetic journey through Cork Street, Dublin.